A few days ago, we had an incredible sunset. The undersides of the clouds lit orange-red and their recessed part a beautiful, rich grey. Inspiration asked again: How would this look as a mandala?
Because of my intense analysis of the photographic mandalas and the single image I often take before, I am now beginning to be able to ‘create’ the central aspect through choice of center and composition.[gallery, exclude=”=486″ link=”file” order=”DESC” orderby=”rand”]
While sorting and editing, I tend to mark those images that I like best. Interestingly, within the photographic mandalas, there are only 2 images that have stayed. I am wondering if it has to do with the fact that, at this time of the year, I am not able to find flowers or colorful aspen leaves or with sentimentality. I am keenly aware how emotionally close I am to many, if not all. For this reason, I am currently taking an online class with William Neill to get his feedback. He is a photographer I highly respect and trust. My hope is to get enough distance to make solid judgements in regards to the quality of a mandala, which is becoming very necessary with havin over 50 in my collection now.
When I see images like the above and remember the excitement and pure joy I felt while taking them, I muse: Who is really taking these pictures? Is it me or am I just the one “pressingthe button”. It reminds me of how I felt when I was drawing mandalas and was aware that “I” had stepped aside and allowed something to flow through me.
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